Skip to main content

Things to know about the new Avid Media Composer licenses...

NAB 2018 saw Avid release a new licensing scheme. There's a new license in town and the good news is, it's cheaper! But what's the catch? Here's a quick guide...

Image from Avid Technology site.

Well, actually there's not really too much of a catch unless you intend to use shared storage... let me tell you more.

Licenses

Licensing edit suites should be easy, but it's usually not. While it might not be your responsibility, it's a good idea as an Avid Assistant, to be aware of what license type you have on your workstation. Make sure it won't run out mid-project or, if it is a monthly subscription license, does your workstation have Internet access to reactive a monthly subscription? Let's get a better idea of how Avid licensing works.

Electronic licensing for Media Composer is done through the Application Manager. You purchase your license through the Avid website as either a perpetual or subscription license. Once finalised, your licencing information is placed into your Avid Account and from this information, your workstations can be activated. But what is the difference between these two license types?

Perpetual Licenses

This is simply a software activated license that is purchased for a single price and last for 12 months. The big advantage of this license is that it NEVER expires.  If you do not renew your license at the end of the 12 months then your Media Composer is limited to the last release closest to your licences end date. If you renew your licence you will be able to access upgrade for the next 12 months and so on.

Optional extras with Media Composer are

  • Media Composer | Symphony Option which can include includes Boris Continuum Complete Lite
  • Media Composer | NewsCutter Option
  • Media Composer | Production Pack - includes
    NewBlue Titler Pro 2
    Sorenson Squeeze
    iZotope Insight

Subscription License

This allows you to rent Media Composer on a month to month basis. Rather than stumping up for 12 months up front, this means you can reduce your costs by paying month by month. It also has the added benefit of giving you access to options you would have to purchase if you have a perpetual license. So that's:

  • Media Composer® | Software
  • Media Composer | Symphony® Option 
  • NewBlue Titler Pro 2.5
  • Sorenson Squeeze Lite
  • Boris Continuum Complete Lite
  • iZotope Insight (30-day trial) 
  • Avid Support (including all software updates/upgrades) 

The monthly subscription also means that when you don't need Media Composer you don't pay for it.

Media Composer Types

Media Composer | First

For people just starting out in editing, Media Composer | First delivers a complete, yet streamlined creative toolset built on Avid’s renowned editing model – for free – with all the features and functionality that can be published to popular social media channels.



NAB 2018 saw the release of Media Composer 2018.4 and while the license types remain the same this version brought with it 2 separate 'models' of Media Composer.

Media Composer - Sort of new...

For a lot of people working on Media Composer, they require the editing package to function on a single machine in a 'non-collaborative' manner. By this Avid means, we are not using it on their shared storage systems, Avid ISIS or Avid NEXIS. Users can still share content via pocket drives and move bins around freely but with this restriction comes the added benefit of a 50% reduction in price. A license can be had for as little as US$19.99 per month.

Media Composer Ultimate - NEW


This new term is, in effect, the old Media Composer license price point, with added software options bundled in. Support for Shared Projects on Avid ISIS and NEXIS is added but we now also receive  ScriptSync, PhraseFind and Symphony option in the same bundle. This is the option that most Post Houses will go for. Compare the models and their functions here


Extra Notes

Here are a few other items you should be aware of...

30 Day Trails
Avid has long allowed you to download Media Composer and run it on a 30-day trial. It's worthwhile noting that when running in trial mode all the options are enabled, to give you an Ultimate License.

Existing Customers
If you already had a subscription in place before the new license release you will receive an Ultimate License. If you want to reduce your monthly cost, then you will need to end your old license and start a new one at the reduced cost.

Avid Support
When you purchase your Media Composer license you will have the ability to raise support cases should you experience issues with your system. If you require extended support, this can also be purchased and added to your account/license. For more information see the links below.


Here's Avid view on the new family of licenses. and some useful links for help with Avid licensing.









Comments

Popular posts from this blog

Avid Codecs : DNxHD and DNxHR

Avid had to create a set of high-quality High Definition codecs back in the mid-2000's to allow them to move High Definition video content over their I/O connection pipe of choice for the time, a domestic 400Mbs Firewire cable! This was the birth of DNxHD codecs. DNxHD became a very popular finishing and editing codec as it was a Media Composer friendly format and the compression also allowed users to store HD content on drives which, at the time, had limited performance and capacity. With recent UHD formats becoming more widely used in cameras, users now need to edit in 2K, 4K and even 8K. As a result, Avid revised its codecs in line with this demand and released an updated DNxHR codec set. While this new codec has been released this does not mean the end of DNxHD. Let's look at them both and what they are suitable for. Avid DNxHD As we have mentioned already DNxHD is widely used by video editors but it is also used by other manufacturers and is supported within the

Working with the Avid Attic

Every Avid operator should have a thorough understanding of Media Composers Attic. At some stage in your editing career, you will need to rescue an edit from within the Attic, either owing to accidental deletion or plain old-fashioned corruption not allowing a bin to be opened. The Attic is your friend, so let's get to know it a little better. What does the Attic do? Avid editing systems allow you to organise your edits and clips into 'Bins.' If these bins become damaged or content accidently deleted from it then thsi can cause and issue. Avid saves a copy of your opened bins and after a fixed period of time (usually every 15mins by deafult) the bin is saved into a specific location, the Attic. Where is the Attic? On standalone Avid systems the Avid Attic is usually found in one location. PC: \users\public\documents\avid media composer\avid attic\ Mac: /users/shared/avid media composer/avid attic/ What's in the Attic? There is a folder inside the Avid A

Project Structure - Using folders to organise content

The secret to keeping any project on track is organisation. This can come in a number of forms but for this post, I wanted to look at how you can use simple folder structures to help organise and manage the content of your project. For most people, especially editors, when you use the word content they will instantly think of hours and hours of rushes, but in terms of a project, there is a ton of other 'stuff' that we will need to have to hand. The amount of 'stuff' we have will depend upon the type of project you are working on and the experience of the people you are working with too. Even if there is no information being offered to you, there are a number of things that you should be doing to ensure your project runs smoothly. Understand the workflow Make sure you have an understanding of the project's workflow. Talk with the producer, editor and cameramen if needed. Ensure you understand how the material is captured, backed up, delivered, ingested a