Skip to main content

Avid Media Composer 2018.7 - IP streaming for free!

Media Composer 2018.7 has brought native support for Newteks NDI...



Support for NewTek® NDI Video over IP
Avid Media Composer now includes support for transmitting NDI streams directly from the
application when enabled. Similar to a client monitor, anytime you play or scrub footage others on
your network will be able to see the stream using an NDI player. By default, NDI will broadcast only
to your local subnet.

But what does this mean to you and I?

What's NDI?

NewTek’s NDI - Network Device Interface - technology allows devices, and applications to connect and communicate over a standard IP network, specifically 1GbE, to share video and audio. This technology has been heavily adopted in the production world but can also be utilised in the edit process through the use of specific I/O hardware, for example, the AJA Kona IP or IO IP and with the release of 2018.8 Media Composer you can use the Avid Artist DNxIP unit too.

But if you want to allow people to view your Media Composers output via NDI this can now be accomplished within the application with no need for specific video I/O, although there are drawbacks to this in some cases.

Setting up to NDI stream

The setup to stream is painfully easy. On the timeline window, you will need to right click on the hardware toggle icon and choose OpenIO_NDI. If you have a video I/O unit this will be disabled to allow the video to be streamed over NDI. Make sure you also check the Play local audio when broadcasting option or else your local speakers are muted.


Clicking back on the Toggle Hardware icon will now cause the icon to flash and show a red arrow as seen below...




That's it. Your system is now streaming its content to anyone with an NDI receiving unit or software that is within your local network.

Setting up a client to view your stream.

On the Newtek website, you can download their NDI Toolkit for both Windows and Mac. What you want from here is to install the NDI Access Manager and NDI Monitor. 
The NDI Manager allows you to define the workstation, via an IP address, that material is coming from.
So in my case, I simply added the IP address of my Media Composer and made sure that I defined it as an NDI source in the Type pull down menu.


Once I had defined the source I launched the NDI Monitor and right clicked on the window and clicked on my edit suites name...


As soon as I did this I then could see my Media Composers video output...


From the setting menu, you can turn on the Audiometers and graticule as well as a number of other options such as turning on a Low Bandwidth option which I assume reduces the client's data rate requirements.

Once set up the delay is amazingly low and the picture quality was amazing, especially when viewed full screen.

This a great tool to have up your sleeve should you need multiple people to be able to see your edit as you can deploy the viewer to a number of people allowing them all to view your output simultaneously. Great for those lazy producers who simply can't walk down to the other end of the building!

Be aware...

When enabling the NDI option the video output is forced to the native codecs format and data rate, meaning that if you have a stacked timeline then you may have issues playing it back without dropping frames as the 1/4 resolution viewing option is disabled. This is especially noticeable when also using higher data rate codecs and rasters such as DNx185/220.  
Because of the full bandwidth that is needed it's worth noting the Avid note below...
Note that Open IO NDI is best used over Ethernet. Avid does not recommend working with Open IO
NDI over Wifi.
I did try some XAVC 100Mbs over wifi and indeed the playback on the client was indeed jerky, switching to some single stream DNX36 content showed a massive improvement and was very viewable.
This is NOT a solution for people looking to stream content to people working from home!

It has to be said that losing your broadcast monitor is somewhat of a limiting factor. While toggling the NDI on and off to get your video back isn't too much of a headache there is a little got ya in the release notes for those with older IO hardware...
Open IO NDI is not available if you have Nitris DX or Mojo DX video hardware. You have to disable
that hardware in order to access Open IO NDI.
Which is why using something like a DNxIP or AJA unit gives you the best of both worlds with local video output as well as an IP stream.

I did notice that when skipping up and down the timeline with NDI enabled the local playback could stammer and the only way to cure this was to stop and start the playback. I didn't constantly have the issue but it could be a pain if you were using this feature a lot. Again though, if I was doing this a lot, I would invest in an external I/O unit so this would disappear.  






Comments

Popular posts from this blog

Avid Codecs : DNxHD and DNxHR

Avid had to create a set of high-quality High Definition codecs back in the mid-2000's to allow them to move High Definition video content over their I/O connection pipe of choice for the time, a domestic 400Mbs Firewire cable! This was the birth of DNxHD codecs. DNxHD became a very popular finishing and editing codec as it was a Media Composer friendly format and the compression also allowed users to store HD content on drives which, at the time, had limited performance and capacity. With recent UHD formats becoming more widely used in cameras, users now need to edit in 2K, 4K and even 8K. As a result, Avid revised its codecs in line with this demand and released an updated DNxHR codec set. While this new codec has been released this does not mean the end of DNxHD. Let's look at them both and what they are suitable for. Avid DNxHD As we have mentioned already DNxHD is widely used by video editors but it is also used by other manufacturers and is supported within the

Working with the Avid Attic

Every Avid operator should have a thorough understanding of Media Composers Attic. At some stage in your editing career, you will need to rescue an edit from within the Attic, either owing to accidental deletion or plain old-fashioned corruption not allowing a bin to be opened. The Attic is your friend, so let's get to know it a little better. What does the Attic do? Avid editing systems allow you to organise your edits and clips into 'Bins.' If these bins become damaged or content accidently deleted from it then thsi can cause and issue. Avid saves a copy of your opened bins and after a fixed period of time (usually every 15mins by deafult) the bin is saved into a specific location, the Attic. Where is the Attic? On standalone Avid systems the Avid Attic is usually found in one location. PC: \users\public\documents\avid media composer\avid attic\ Mac: /users/shared/avid media composer/avid attic/ What's in the Attic? There is a folder inside the Avid A

Project Structure - Using folders to organise content

The secret to keeping any project on track is organisation. This can come in a number of forms but for this post, I wanted to look at how you can use simple folder structures to help organise and manage the content of your project. For most people, especially editors, when you use the word content they will instantly think of hours and hours of rushes, but in terms of a project, there is a ton of other 'stuff' that we will need to have to hand. The amount of 'stuff' we have will depend upon the type of project you are working on and the experience of the people you are working with too. Even if there is no information being offered to you, there are a number of things that you should be doing to ensure your project runs smoothly. Understand the workflow Make sure you have an understanding of the project's workflow. Talk with the producer, editor and cameramen if needed. Ensure you understand how the material is captured, backed up, delivered, ingested a